Precious Cargo
Refreshingly Bitter And Twisted Observations On Life's Passing Parade.
About Me
- Name: Peter L. Winkler
- Location: Valley Village, California, United States
- Critics At Large : A...
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- Current Posts
- Dennis Hopper: The Wild Ride of a Hollywood Rebel "I knew Dennis Hopper in his wild days and his sober days, and this book captures the man in his many incarnations. Winkler's deeply researched biography of Hopper is the definitive book on this live wire who lived on the high wire." -- Filmmaker Philippe Mora
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Wednesday, July 06, 2005
The Sun Will Still Rise and Set If You Don't Have an Agent
Michael Allen recently wrote about literary agents.
"But for most writers, getting an agent even to read something, let alone agree to try to sell it, is a pretty major achievement.
Arthur Klebanoff, in his book The Agent, says that agents 'typically get their clients by referral or by soliciting [previously published] authors or celebrities. It is a rare agent who finds his opportunities from the slush pile.'"
Well, I had two agents (seriatim, not repping me at the same time) and it wasn't hard to get their representation.
At least here in the US, there are dozens of agents, many directories of them, and most will read at least a query letter and then might ask for your proposal.
Getting a good agent-now there's the rub. Most agents are bottom feeders. If they're even moderately successfull, they're making lots of deals for relatively small advances since they don't have stables of star names. They're approachable.
I think Klebanoff has a vested interest in perpetuating the myth of the difficulty of getting an agent. He purchased the Scott Meredith Literary Agency a few years ago. And the Meredith agency was notorious for running a very expensive fee-based reading service. I don't know if they still do.
It's in the interest of most agents to make naive writers think getting an agent is such a big deal. Makes the agents seem special. It also keeps writers from questioning the agent's judgement.
"But for most writers, getting an agent even to read something, let alone agree to try to sell it, is a pretty major achievement.
Arthur Klebanoff, in his book The Agent, says that agents 'typically get their clients by referral or by soliciting [previously published] authors or celebrities. It is a rare agent who finds his opportunities from the slush pile.'"
Well, I had two agents (seriatim, not repping me at the same time) and it wasn't hard to get their representation.
At least here in the US, there are dozens of agents, many directories of them, and most will read at least a query letter and then might ask for your proposal.
Getting a good agent-now there's the rub. Most agents are bottom feeders. If they're even moderately successfull, they're making lots of deals for relatively small advances since they don't have stables of star names. They're approachable.
I think Klebanoff has a vested interest in perpetuating the myth of the difficulty of getting an agent. He purchased the Scott Meredith Literary Agency a few years ago. And the Meredith agency was notorious for running a very expensive fee-based reading service. I don't know if they still do.
It's in the interest of most agents to make naive writers think getting an agent is such a big deal. Makes the agents seem special. It also keeps writers from questioning the agent's judgement.
posted by Peter L. Winkler | 10:58 AM | 0 comments